Navin Norling American, b. 1970

Overview

"My art is a dynamic dialogue between modern pop-based imagery, urban graffiti inspired color palettes, found objects covered in urban grit and the richness of rural America. The result is an anthology of provocative sculptural objects and paintings that examines the rich American cultural landscape using humor and irony."

 

- Navin Norling

In his ongoing practice, Navin Norling examines classic Americana imagery and assembles miscellanea out of popular culture signifiers, sayings, folklore, and materialism. Both humorous and incisive, the painting-filled installations of Navin Norling juxtapose American cultural stereotypes, pop iconography, issues of race, gender, class, power, and economics. In his works, content-rich icons such as Moors, Black Power figures, consumer logos, blackface women, cheap signage, graffiti, and celebrities are layered one upon another in paintings that are stacked and hinged on the walls as charms. These pieces of rural debris tumble into the gallery space, creating a distinctly American cacophony. Drawing on a wide range of experiences, Norling's installations become a culmination of personal culture, and at times, a commentary on issues of power, class, geography, capitalism and inequality.

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Biography
Navin Norling (b. 1970, San Francisco, CA) received his BFA in Illustration from the California College of the Arts in 1995 and his MFA in Fine Arts from Hunter College in 2002. His work has been exhibited widely, including at the Brooklyn Museum, the SculptureCenter in New York, and the Bronx River Art Center. Norling's solo exhibitions include "Dirty Legacy" at Johnson Lowe Gallery, Atlanta (2023) and "White Wash" at Corridor Gallery, Brooklyn (2009). He has participated in numerous group exhibitions, such as "Spike Lee: Creative Sources" at the Brooklyn Museum (2023) and "The Alchemists" at Johnson Lowe Gallery, Atlanta (2022). Norling is currently a professor at the Savannah College of Art and Design and lives and works in Atlanta, GA.
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